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This rule, in my experience, applies to politics, sex, war, diplomacy, White House scandals, social invitations, funeral orations, almost everything in Washington. Whenever I could document a consistent unnecessary lie, I fished more intently in the waters around it than elsewhere, hooking in as many sources as possible, arranging events in the correct sequence to determine cause and effect, applying what I knew to areas I did not know, and slowly triangulating my way toward the truth.
My hope was not to "out" my girlsof whom I became very fond but to understand their minds, their lives, and the times and contexts in which they livedsocial, sexual, theatrical, political, and even cinematic.
Soon little gold nuggets began to glimmer at me from between the lines of letters, published and unpublished; they lurked embedded in thousands of pages of long-secret government documents that, after realizing their importance for my purposes, I slowly acquired.
Occasionally, as my understanding grew, they jumped out of otherwise-predictable newspaper and magazine articles, and from films and photographs dating back more than ninety years.
It is difficult to learn but once it is acquired it can be easily slowed down and becomes an excellent foundation for dramatic acting.
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